For the purpose of this essay, the film analysis will focus on Seven Samurai, of the jidaigeki genre, and why it is also considered one of the most influential Japanese movies. Director Ishira Honda had released an anti-nuclear film that soon gained popularity globally creating a new genre in the Japanese film industry Kaiju monster movies. Other influential films that were released in 1954 were Gojira (later translate to Godzilla in English) and Seven Samurai, receiving massive international acclaim. it received international recognition when it scooped the Best Costume Design during the 1954 Oscars. Gate of Hell (1953) was also an important development in the Japanese film industry as it is the first to use the Eastman Color Film and also released outside of Japan. Rashomono (1950) directed by Akira Kurosawa put Japan on the world map of cinema when it went ahead to win the Golden Lion award at the Venice Film Festival. The 1950s marked the beginning of the Golden Age for the Japanese film industry. The first Japanese cinematographic production by director Sha za Makino was HonnÅ ji gassen in 1908. Visual arts represent various psychological, sociocultural and literary perspectives that affect the Japanese people on a day to day basis. Visual arts also play a major role in the contemporary modern pop culture that exists presently. Read also Ideology Film Analysis – Pretty Woman It is for this reason that films with scenes openly dealing with love and affection are often frowned upon. As a tradition that steadfastly holds on to its culture and tradition, open displays of affection such as kissing are alien. The Motion Picture Code of Ethics Committee (ERIN) was thus given the mandate to classify films with regard to their suitability to minors and their violent or sexual material content. In 1962 it was mandatory for all films produced Japan to have the EIRIN (film board) seal. The Censorship Board of Japan was formed in1949 as a self-regulation organization. Censorship was also applied after the Second World War by the occupying Allied force in bid to enforce their new pacifying mandate. Strict censorship perpetrated by the government was however present in Japan during the war period. Under the Japanese constitution, citizens enjoy full freedoms in as far as speech and expression are concerned, but only with minor interventions when obscenities are involved. Read also Mostly Martha (2001) and No Reservations (2007) – Film Analysis The genidaigeki genre contains historical pieces set in the Endo Period (1603-1868), jidaigeki with contemporary themes and set in the present day, kaiju featuring monster film, shomingeki, realistic films about lifestyle and typical working people and anime which features the production of animation films. Japanese films are divided into five main genres genidaigeki, jidaigeki, kaiju, shomingeki and anime (Benshoff 67). Its production was then closely followed by a Japanese cinematographic production by Tsunekichi Shibati whose content were purely theatrical. Shots taken during this filming session are thought to be the first film ever made in Japan for entertainment purposes (Benshoff 12). The Gaumont camera was the first motion picture camera brought by these foreigners to the Japanese empire to record geishas dining at Shimbashi’s traditional restaurants. The production of movies started in 1897 when the Lumière brothers’ cinematograph, was the first foreign camera crew to arrive in Japan. It is this rich history that saw Japan named as the fourth largest producer of feature films in 2010. The film industry in Japan has been in existence for the past one century and is one the oldest globally.
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